Trump cuts the ribbon, Kopp applauds, and Psszt points to the brick wall behind the golden gate. The opening is a success. Getting through will require another ceremony.
These images preview an artistic series in development. They are currently unavailable for purchase, product orders or commercial licensing.
Scenes featuring public figures are fictional works of satire. They do not document actual events or imply any official collaboration or endorsement by the people depicted.
First you smile. Then you look around.
A wooden-spoon-headed chicken and a dog-girl move through a world that keeps promising a brighter future while making the present increasingly peculiar. Sometimes they spot the contradictions; sometimes they walk straight into them. Their shared scenes explore consumption and growth, Psszt’s solo stories bring career pressures and self-image closer to home, and their everyday adventures find humour in their own shortcuts and excuses. Black and ivory drawing meets vivid blue and orange: the image is playful, the question stays with us.
Kopp sometimes sees through the promises; sometimes he falls for them too. Psszt wants to keep up, rest and remain herself — preferably all at once. Neither watches from a safe distance: they are part of the story.
Pictures from a brave new world.
Grand promises, rising numbers and the reality left out of the presentation.
“Our profits have reached record highs along with the water level; fortunately, flooding on the lower decks has no effect on the chilled champagne upstairs.”
On the upper deck, they open champagne. Below, passengers bail out the water. They are on the same ship, yet understand their situation very differently. The image catches the moment when the success chart obscures reality.
“We have successfully optimised forests and rivers into a discounted smartphone. Please keep running in the wheel for next year’s model!”
On one side, the forest disappears. On the other, the next unmissable offer arrives. The characters hold both sides of the bargain: a bare branch and a new device. What have we gained, and what can never be bought back?
“Why worry about a cracked, parched planet when a premium VR subscription lets us stroll towards the cliff on a perfect beach?”
Behind the headset, palm trees lean over the water. In front of it lie cracked earth and discarded bottles. One small movement separates the perfect experience from what we would rather not see. What happens when someone lifts the headset?
“The machinery of global consumption runs smoothly: as long as the sales continue, nobody minds that it is grinding up the world beneath our feet.”
The wheel turns, the conveyor moves, and the next reward is on its way. Forests disappear at one end; waste piles up at the other. Meanwhile, the shop window already advertises the next offer.
“Everyone here is free to rise to the top. Anyone who bumps their head simply needs to work on their confidence.”
She earned the degree, delivered the results and climbed the final step. The chair is already in sight. When her head hits the glass, she checks the requirements again: which one has she failed to meet? There was no mention of the obstacle.
“Be yourself! The filter will remove any unsuitable parts.”
The light is on and the phone is ready. On screen, she already looks rested, confident and radiantly happy. She is still standing quietly beside it. The picture is finished; the good mood exists only on the screen.
Identity · Beauty expectations · Public and private life
“Just a few little things left. I have moved my break to the day the paper runs out.”
The work is done, the shopping ticked off and the washing started. She is about to sit down when another list rolls out. Every request takes only a few minutes. By evening, the day has run out — and so has she.
“Ten thousand steps again today. The vacuum is exhausted; we are delighted.”
That morning, they decided to reach their target at last. The watch went onto the vacuum, Kopp went into the armchair, and soon everyone was doing their part. By evening, the result looked excellent. The floor looked better too.
“A joint success. I took it apart; she plugged it in.”
Kopp brought tools, removed the casing and studied the fault with great concentration. Psszt found the socket. By the time the coffee was ready, Kopp knew exactly how he would tell the story of the repair.
“Making two trips wastes time. That is why we have been standing outside the door for ten minutes.”
They carried everything in one trip. Another bag fitted around Kopp’s handle, and Psszt took the bulky parcel. At the door, they stopped. Both could see the key. Putting anything down, however, had become a matter of principle.
“The five minutes referred to the video. We ordered dinner in the end.”
It all looked simple in the video. Kopp measured, mixed and rolled — until, at some point, he became part of the recipe. Psszt opened a different app. The pizza arrived; restoring the kitchen remained a separate project.
“I did not read the washing instructions. But the teapot finally has a jumper.”
The jumper came out of the wash with noticeably smaller plans for the future. Kopp was still assessing the loss when Psszt dressed the teapot. At least it fitted somebody perfectly.
Psszt and Kopp had spent an hour being just about to leave, stopping to watch a video on how not to waste time. They watched the next one too, in case it had the answer. By the end of the day, they were certain of one thing: they never had time for anything.
Psszt got twenty per cent off everything she had had no need for yesterday. Kopp proudly arrived with another bargain. They could barely afford to save this much.
On their day off, Psszt and Kopp did the washing, cleaned, bought groceries and ran every errand. By evening, they could have used help just sitting on the sofa. They agreed to put resting on the next to-do list, in the hope that it might finally get done.
Kopp asked for one small favour, then added another dozen while Psszt was at it. Psszt smiled and said yes, because saying no was so awkward. It cost them the whole day, but at least their manners survived intact.
They reached the summit at sunset and got straight to work: Psszt finding the right angle, Kopp rehearsing his spontaneous expression. Thirty-two photos later, they had captured a moment they had not seen a second of. Their caption read: “You have to experience this in person.”
Kopp accepted the terms without reading them, while Psszt brought the next contract to keep things moving. “Nobody tells me what to do,” Kopp declared. Then he enabled every notification, so he would not miss what he was supposed to do next.
Kopp says it’s just work. A message on his phone tells another story, and Psszt carefully moves the phone out of harm’s way before delivering her reply. A four-panel comic about excuses, getting caught and one very well-placed glass of water.
Excuses · Getting caught · Relationship humour
Read the comic dialogue
Psszt: Who are you texting?
Kopp: Just work.
Phone message: When can I see you again, handsome? ♥
Kopp: It’s just an innocent conversation!
Psszt: And this is just a glass of water.
Suggested uses include posters, greeting cards, humorous gifts and social-media story series.
Famous guests occasionally enter Kopp and Psszt’s world. As an artist, I look for the small human moments behind the grand gestures: vanity, misunderstandings, and the absurdity of everyday life.
The scenes and dialogue are fictional. This series holds up a playful mirror — one in which we might occasionally recognise ourselves.
A golden gate, an endless red carpet and a slice of toast with its own opening ceremony. Eight fictional scenes bring grand gestures into contact with Kopp’s enthusiasm and Psszt’s dry observations.
Our guest is a caricature of Gordon Ramsay. In three fictional kitchen scenes, Kopp, the wooden-spoon-headed chicken, is mistaken for an ingredient or a stirring utensil; Psszt is determined to rescue him.
Eight application ideas from the same story world, presented as concept mockups only. The objects shown are currently unavailable to order, and the series is not available for commercial licensing.
Application concept mockup
Offices and shared spaces
Teamwork, compulsory calm and the pressure to perform are familiar subjects for creative offices, coworking spaces, meeting rooms and break areas. A coordinated set of prints gives people a moment to see the working day with a little self-irony.
A single statement print or a coordinated group can bring character to a living room, study or café. Blue and orange details can recur on cushions, while character portraits connect the objects throughout a space.
A coffee break’s worth of self-irony, at home or at work. Short captions and expressive characters offer a direction for paired gifts, presents for colleagues or a coordinated drinkware collection.
The smile in All good., compulsory calm and the shopping carried in one trip become messages to wear. These concepts are for people who meet everyday absurdities with humour and a little attitude.
Notebooks, planners, phone cases and desk mats can form a shared collection. Endless to-do lists and a perfectly filtered self-image appear on the very objects we use daily — as personal gifts or considered corporate gift sets.
The five-minute dinner can continue on an apron or tea towel; the teapot in a jumper can inspire ceramics or a decorative object. Coordinated concepts suit home kitchens, gift collections and cafés with a playful character.
Short scenes can become postcards, greetings cards or a desk calendar with interchangeable artwork. A single story makes a small gift; several form a paper collection for bookshops, design shops and museum stores.
The spoon-headed chicken and the dog-girl can continue their shared stories as three-dimensional ornaments. Each pair tells a small story on a shelf, desk or in a display cabinet — a starting point for an adult gift and collectable range.